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Description
ゆうパケット 無地オックス・サックス オックス生地1=10cm50cm(5) :550cm 101m 3 Textile designed by COLORFUL CANDY STYLE cm 112 100% 1. 5m(15) 1. 2.1. 5m 3. 4. 5.300 1=10cm 50cm10cm :550cm 101m () 2m 1m2=2m () PC + 0. 5cm1cm
数量：1=10cm単位での価格です。最低50cmから(数量：5)の販売となります。
※入力例:数量5→50cm/数量10→1m
※入力例:数量5→50cm/数量10→1m
ご注文・ご入金確認後、3営業日以内に発送予定です。（土・日・祝を除く）
こちらの商品は、生地以外の他商品と同時購入された場合、別送となります。
こちらの生地は商用利用可能です。購入された生地を用いた作品/商品を販売される際には、商品説明に必ず「Textile designed by COLORFUL CANDY STYLE」と明記して頂きますようお願いいたします。
※生地耳に商用利用不可と記載されている場合がございますが、商用利用可能です。
※生地耳に商用利用不可と記載されている場合がございますが、商用利用可能です。
少しくすみがかった優しい色合いが魅力のサックスブルー。のどかでやすらぎを感じる、さわやかで上品な青色です。
中厚のオックス生地で、ツイルと比べ適度な張りがあるしっかりとした素材。通気性にも優れ、扱いやすいので、ポーチ、バッグ、巾着袋などの小物から、エプロン、クッションカバー、ランチョンマットなど幅広い用途に使える素材です。
サイズ（単位：cm）
生地巾：約112
生地品質：綿100%
※オックス、ツイル等、1.5m(個数15)までのご注文に限り、ゆうパケットでのお届けが可能です。
1.ゆうパケットはポスト投函でのお届けとなります。ポストに入らない場合は、持ち帰ります。
2.厚さ制限があるため、オックス、ツイル等1.5m以上・キルティング、ラミネートのご注文は宅急便でのお届けになります。
3.配達日時のご指定はできません。
4.代金引換は対応しておりません。
5.料金は全国一律送料300円となります。
1.ゆうパケットはポスト投函でのお届けとなります。ポストに入らない場合は、持ち帰ります。
2.厚さ制限があるため、オックス、ツイル等1.5m以上・キルティング、ラミネートのご注文は宅急便でのお届けになります。
3.配達日時のご指定はできません。
4.代金引換は対応しておりません。
5.料金は全国一律送料300円となります。
ご購入について
数量：1=10cm単位での価格です。
販売は最低50cmから、10cm単位でカットいたします。
※入力例:数量5→50cm/数量10→1m
中切れについて
在庫状況によってはごくまれにですが中切れしている(途中で切れている)商品がございますのでご了承くださいます様お願い申し上げます。
〔ご注文内容〕 2m → 〔納品形態〕 1m×2枚=2m
※中切れ(途中で切れている状態)でのご納品になる場合は出荷前に弊社よりお客様にご連絡させていただきます。
●生地色について
生地および商品の画像は、できるだけ商品に近い色で掲載しております。同じ色名でも生地や商品によって明るさや鮮やかさなど色味が異なります。
※お客様のモニター設定やPCの機種、室内環境等により、色味に違いが発生してしまう場合もございます。
●お取扱いにおけるご注意
洗濯により若干の色落ちや、多少の縮みが発生する場合があります。
商品によっては+-0.5cm～1cmの誤差が発生してしまう場合がございます。
また、お揃い生地商品が完売の際はご了承ください。
数量：1=10cm単位での価格です。
販売は最低50cmから、10cm単位でカットいたします。
※入力例:数量5→50cm/数量10→1m
中切れについて
在庫状況によってはごくまれにですが中切れしている(途中で切れている)商品がございますのでご了承くださいます様お願い申し上げます。
〔ご注文内容〕 2m → 〔納品形態〕 1m×2枚=2m
※中切れ(途中で切れている状態)でのご納品になる場合は出荷前に弊社よりお客様にご連絡させていただきます。
●生地色について
生地および商品の画像は、できるだけ商品に近い色で掲載しております。同じ色名でも生地や商品によって明るさや鮮やかさなど色味が異なります。
※お客様のモニター設定やPCの機種、室内環境等により、色味に違いが発生してしまう場合もございます。
●お取扱いにおけるご注意
洗濯により若干の色落ちや、多少の縮みが発生する場合があります。
商品によっては+-0.5cm～1cmの誤差が発生してしまう場合がございます。
また、お揃い生地商品が完売の際はご了承ください。
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4.9 ★★★★★
Based on 765 reviews
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Product Reviews
★★★★★ 5
Exquisite, enrapturing
Format: Paperback
Loved the gritty, visceral language and the epic nature of this poem. Notely blows me away -- the loss of memory, the tangled and eternal subway, the owls and masks.
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Reviewed in the United States on May 29, 2014
★★★★★ 5
Five Stars
Format: Paperback
Brilliant, lucid, engaging and brave, a feminist chthonic journey shimmering with poetic bravado.
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Reviewed in the United States on December 18, 2014
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section.
When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes:
"another woman" "in uniform" "from above ground"
"entered" "the train" "She was fireproof" "she wore gloves, & she"
"took" "the baby" "took the baby" "away from the"
"mother" "Extracted" "the burning baby" "From the fire" "they
made together" "But the baby" "still burned"
("But not yours" "It didn't happen" "to you")
"We don't know yet" "if it will" "stop burning,"
"said the uniformed" "woman" "The burning woman" "was crying"
"she made a form" "in her mind" "an imaginary" "form" "to
settle" "in her arms where" "the baby" "had been" "We saw
her fiery arms" "cradle the air" "She cradled air" ("They take your
children" "away" "if you"re on fire")
"In the air that" "she cradled" "it seemed to us there" "floated"
"a flower-like" "a red flower" "its petals" "curling flames"
"She cradled" "seemed to cradle" "the burning flower of" "herself gone"
"her life" ("She saw" "whatever she saw, but what we saw" "was that flower")
After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns.
The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book.
The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole.
If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems.
The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses.
I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book.
I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
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Reviewed in the United States on August 11, 2020