SKU: 78654483487

鲸鱼 The Whale

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鲸鱼 The Whale: () Author: Tar Gomi "Ah! It turned out to be like this!" When almost everyone read the ending, they felt this kind of surprise: a migratory bird flew in the sky, yelling "whale"! However, the people in the village looked for the whale, but they didnt find it in the lake. They began to complain that the migratory birds deceived them. However, a child was taken to the sky by the migratory birds. It turned out that the shape of the lake next to the

作者: (日)五味太郎

Author: Tarō Gomi

 “啊!原来是这样!”几乎每个人看到结局,都有这种恍然大悟的惊叹:一只候鸟飞在天上,大喊着“鲸鱼”!可是,村子里的人们找来找去,都没有在湖里找到,他们开始抱怨候鸟欺骗了他们,可是,一个小孩子被候鸟带着飞上了天空,原来,村边的湖的形状跟鲸鱼一样,而一户人家坏了的水管喷上来的水正象是鲸鱼喷出来的水,原来候鸟也并没有骗人。其实有的时候,表面看到的东西不一定就是事实,而在你眼里是事实的事别人也不一定认同。什么才是真正的真相?一个看似简单的故事留给读者的是无穷的回味。

日本作为动漫大国和绘本大国,其图画书总是充满视觉趣味。日本著名童书绘本作家五味太郎的重要作品《鲸鱼》中,以鲸鱼的形状、轮廓和颜色来发展故事的架构和旨趣,强调了图画的元素,也突显图画书的特质。阅读这本书,读者不得不通过看图来结合文字叙述,才会感受并明白它的趣味和诉求,而这个特点也使得该书别具阅读趣味和价值。


"Ah! It turned out to be like this!" When almost everyone read the ending, they felt this kind of surprise: a migratory bird flew in the sky, yelling "whale"! However, the people in the village looked for the whale, but they didn’t find it in the lake. They began to complain that the migratory birds deceived them. However, a child was taken to the sky by the migratory birds. It turned out that the shape of the lake next to the village was like a whale. The water sprayed from a broken pipe in a house also looked like water sprayed by a whale. It turns out that the migratory birds were not trying to deceive. In fact, sometimes, what you see on the surface is not necessarily the truth, and what you see as a fact is not necessarily recognized by others. What is the real truth? A seemingly simple story leaves readers with endless afterthoughts.

As a country of animation and picture books, Japan’s picture books are always full of visual interest. In the important work "Whale" by the famous Japanese children's book writer Gomi Taro, the shape, outline, and color of the whale are used to develop the structure and interest of the story, emphasizing the elements of the pictures and highlighting the characteristics in the picture books. Reading this book, readers have to look at pictures and combine text narratives to feel and understand its interest and appeal. This feature also makes the book unique in reading interest and value.

 适用年龄: 3岁-6岁

Recommended for Ages: 3-6

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SKU: 78654483487

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4.4 ★★★★★
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Rachel S.
Lowell, US
★★★★★ 5
Exquisite, enrapturing
Format: Paperback
Loved the gritty, visceral language and the epic nature of this poem. Notely blows me away -- the loss of memory, the tangled and eternal subway, the owls and masks.
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Reviewed in the United States on May 29, 2014
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Eileen O Malley Callahan
Lake Worth, US
★★★★★ 5
Five Stars
Format: Paperback
Brilliant, lucid, engaging and brave, a feminist chthonic journey shimmering with poetic bravado.
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Reviewed in the United States on December 18, 2014
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JeFF Stumpo
Los Angeles, US
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section. When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes: "another woman" "in uniform" "from above ground" "entered" "the train" "She was fireproof" "she wore gloves, & she" "took" "the baby" "took the baby" "away from the" "mother" "Extracted" "the burning baby" "From the fire" "they made together" "But the baby" "still burned" ("But not yours" "It didn't happen" "to you") "We don't know yet" "if it will" "stop burning," "said the uniformed" "woman" "The burning woman" "was crying" "she made a form" "in her mind" "an imaginary" "form" "to settle" "in her arms where" "the baby" "had been" "We saw her fiery arms" "cradle the air" "She cradled air" ("They take your children" "away" "if you"re on fire") "In the air that" "she cradled" "it seemed to us there" "floated" "a flower-like" "a red flower" "its petals" "curling flames" "She cradled" "seemed to cradle" "the burning flower of" "herself gone" "her life" ("She saw" "whatever she saw, but what we saw" "was that flower") After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns. The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book. The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole. If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
K
Kent Shaw
Los Angeles, US
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems. The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses. I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book. I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
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Raquel Wilbon
Boise, US
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
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Reviewed in the United States on August 11, 2020

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