SKU: 80000657865

"Unsaddling At Epsom, Summer Meeting" 1932 Colour Print By Sir Alfred J. Munnings (SOLD)

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"Unsaddling At Epsom, Summer Meeting" 1932 Colour Print By Sir Alfred J. Munnings (SOLD)Print Sz: 18 1 2"H x 22 1 2"WFrame Sz: 23"H x 28"W1932Published by Frost & Reed Ltd. Unsaddling at Epsom, Summer Meeting depicts the frenzied and exciting moments at the conclusion of a race at famed Epsom Downs, southwest of London. In his autobiography The Second Burst, Sir Alfred J. Munnings stated that "'Unsaddling' was my best subject, and he returned to the Downs often to observe the whirlwind of activity surrounding the races (Sir Alfred J.

Print Sz: 18 1/2"H x 22 1/2"W

Frame Sz: 23"H x 28"W

1932

Published by Frost & Reed Ltd.

Unsaddling at Epsom, Summer Meeting depicts the frenzied and exciting moments at the conclusion of a race at famed Epsom Downs, southwest of London. In his autobiography The Second Burst, Sir Alfred J. Munnings stated that "'Unsaddling' was my best subject,” and he returned to the Downs often to observe the whirlwind of activity surrounding the races (Sir Alfred J. Munnings, The Second Burst, London, 1951, p. 297).

Munnings fondly remembered the planning of this composition and detailed the identities of the human and equine models used, explaining to the reader, "Epsom— a grand word— stirs memories of months of work following Epsom weeks in 1929 and 1930… I write this on the lawn, with the reproduction of the picture [Unsaddling at Epsom] taken from the wall of the library leaning again the stake of a standard rose" (Munnings., p. 296-97). 

Munnings recounted that the bay at left is the mare by Glenesky, acquired from the Newmarket Sales as a three year old; she is unsaddled by Munnings’ favorite model, Tom Slocombe, who appears in blue and white silks, and is held steady by Rudge, a handyman who drove the horse-box and is dressed in a suit borrowed from the artist himself. Slocombe appears again in white and yellow silks, striding confidently across the center of the composition. The animated The Kaffir can be seen in the far distance as Chips is calmly walked towards the right side of the work. At far right, beautifully foreshortened, is the dark grey mare Magnolia, a favored horse with whom Munnings was pictured in the frontispiece of The Second Burst.

Munnings’ 1931 Royal Academy submissions were a trio of Epsom works, Going Out at Epsom and an earlier version of A Winner at Epsom—and found extraordinary success among visitors and critics alike. The Illustrated London News commented "'Monet’s landscapes,' it has been said, 'are never general. He always paints a particular and unmistakable place.' Mr. Alfred Munnings, it will be noted, has not shrunk from identifying the scene of his racing subject." ("The Royal Academy, 1931: The 'Spirit of Place'; and Sport," The Illustrated London News, May 9, 1931, p. 786). Unsaddling at Epsom was reproduced in color prints by the following year, and continued to be printed by Munnings’ dealer Frost & Reed into the 1950s.

In 1924, Munnings spent six months in America on his first and only trip to the country. He painted portraits of East Coast elites such as the Phipps family and Robert Strawbridge, Jr., and upon his return to England continued to provide idyllic scenes of English country life to Mellons, Whitneys and other American luminaries. Munnings reputation as the pre-eminent modern painter of horses, the descendant of George Stubbs and Benjamin Marshall, was firmly established in America.

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SKU: 80000657865

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Enrique Vasquez
Bozeman, US
★★★★★ 5
Great addition to the series
Format: Hardcover
Must have for any Simpsons fan.
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Reviewed in the United States on May 30, 2025
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Amazon Customer
Los Angeles, US
★★★★★ 5
Amazing
Format: Hardcover, Format: Hardcover
I love these books, worth every penny, the art is amazing. The cover of the book also glows in the dark.
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Reviewed in the United States on August 8, 2024
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eric booth
Lexington, US
★★★★★ 5
Final book in Treehouse of Horror.
Format: Hardcover
The book glows in the dark not he whole book just most of its front cover.
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Reviewed in the United States on September 17, 2024
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Bernard J. Jones
Birmingham, US
★★★★★ 5
Fun book
Format: Hardcover
The book arrived on time and in great conduction.
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Reviewed in the United States on September 16, 2024
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Clarence A. Dillard, Jr.
Louisville, US
★★★★★ 4
They Saved the Best Material for Last
Format: Hardcover
The third and final Simpsons Treehouse of Horror Omnibus is here! Well, actually it debuted in August and I kept waiting on it to show up at my favorite comic book shop. But for one reason or another, the book never came. Once my guys determined that the distributors weren't going to fill the order request, I went to Amazon and ordered it myself. I hate not being able to support a local small business like that... 'Fiendish Fables of Devilish Delicacies' might be the best of the bunch. It features a bunch of celebrity writers taking horrifying shots at America's Favorite Family. Comedian Thomas Lennon and Rocker Rob Zombie are among those who contribute. But it was the re-pairing of 2 iconic teams from the pages of comic history that were my favorite out of all 3 volumes. Swamp Thing co-creators, Len Wein and Bernie Wrightson, join forces once again to pose a tale that suggests what might have happened if Homer was killed and put into a vat of Apu's Squishee mix to become the Squish Thing! Then Marv Wolfman and Gene Colan reunite to propose what would happen if Homer lead a team of vampire hunters against the dreaded Count Dracula. I must admit it took me a couple of pages to realize that this was a parody of Marvel's The Tomb of Dracula horror comic from the 70s and not a send-up of Universal's Dracula. However, once I did, I was enthralled because I cut my horror comic lovin' teeth on that series! Colan's artwork was so stunning. It looked 3-D. Artists today can barely make classic comic characters look 2-D. When you read that story, you are in the presence of genius. 2 geniuses! Speaking of bad art, there was one story called 'Boo-tleg' in which the Kwik-E-Mart is selling poisoned Halloween candy to the citizens of Springfield. To hide his crimes, Apu keeps making clones of the townsfolk. But the results are less than ideal. I get the premise of the story and I liked the satire of the effect cloning could have on society. Yet, the artwork looked like really poor computer animation. Like so bad, it makes the Dire Straits music video, 'Money For Nothing' look modern! One thing I had been missing were the covers. This book includes that much desired cover gallery. I still never got the Treehouse of Horror Halloween annuals printed in order; but at least I now have all of the material that would be included, if I owned the entire set. But there are lots of extras that only appeared in the trade collections. So that makes this a super-omnibus. Even with the near $150 I paid for all 3 volumes, I came out on top. Prices for some of those annuals are with price tags of $30-$50 each. No way in heck am I going shell out that type of money for a Simpsons floppy; no matter how much I love Halloween books! Now if only Harry N. Abrams would collect the Simpsons Winter Wingdings and other seasonal Holiday material in an omnibus or two... They saved the best material for last!
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Reviewed in the United States on October 27, 2024

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